Last Monday, I started an online two-week screenwriting
class from an organization called FutureLearn, which apparently bundles online
classes from a number of European universities. It’s free, it’s from the U. of
East Anglia (home of the Fighting Anglicans?) and it’s at https://www.futurelearn.com/courses/screenwriting/1/todo/3250?utm_campaign=Course+Notice&utm_medium=email&utm_source=course_notice.
I’m not necessarily looking to turn from fiction to
screenwriting, or to make a big financial score, and certainly Hollywood
doesn’t need me while it has another crazy old man from Cleveland, Joe
Eszterhas. But I have been feeling a need to sharpen the saw, and I was
attracted by the idea that screenwriting is an external form, that shows us what characters say and do, but not
their thoughts and feelings. In other words, none of that interiority. The
screenwriter must create action that implies
the character’s inner life and makes it accessible to the viewer/reader.
So far the course has been pretty good. I would like more
concrete examples. The course is strong on structure. Causal, character driven
. . . I’ve heard of “Three Act Structure” for year’s but I’ve finally had it
explained for me. The instructors propose leaving gaps which make the audience
work, and I liken that to Hemingway’s Iceberg Theory, which I believe has great
value.
One week to go.
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